Standard Black
C0 M0 Y0 K100
Use for text and fine details.
Ink levels
Print preparation
CMYK describes how cyan, magenta, yellow, and black combine on film and garments. Screens use RGB and hex for approximation — the chart below helps artwork setup but doesn't guarantee final colour. DTF results depend on your RIP, ICC profiles, printer limits, white underbase, and fabric; request a physical proof for critical brand colours.
Pre-flight checklist
Questions about files or proofs?
Contact usStandard black is used for text, while rich black is recommended for large background areas to prevent a washed-out look.
C0 M0 Y0 K100
Use for text and fine details.
Ink levels
C60 M40 Y40 K100
Use for large solid backgrounds. Do not set all values to 100 to avoid over-saturation.
Ink levels
Greys can be created using only the Black (K) channel for a safe, perfectly neutral result. Rich greys use a mix of CMYK for deeper, warmer, or cooler tones, but require careful balancing to avoid unwanted colour shifts.
C0 M0 Y0 K20
Safe, neutral light grey using only black ink. Perfect for subtle backgrounds.
Ink levels
C0 M0 Y0 K50
Standard mid-tone grey. No risk of colour casting.
Ink levels
C0 M0 Y0 K80
Dark, flat grey. Good for deep shadows without using rich black.
Ink levels
C40 M30 Y30 K60
A deeper grey with a slight blue/steely undertone. Cyan is slightly higher than Magenta and Yellow.
Ink levels
C30 M40 Y40 K60
A deeper grey with a slight brownish/warm undertone. Magenta and Yellow are higher than Cyan.
Ink levels
Watch out for magenta and yellow levels. Too much magenta turns it pink; too much yellow turns it orange.
C0 M100 Y100 K0
Standard pure CMYK red.
Ink levels
C15 M100 Y100 K20
A darker, richer red without turning muddy.
Ink levels
Combine two parts yellow and one part magenta for a bright orange.
C0 M50 Y100 K0
Balanced formula for vibrant orange.
Ink levels
C30 M50 Y75 K10
A balanced, warm brown.
Ink levels
Muted, natural tones are incredibly popular in modern streetwear. These require careful balancing of all four channels to achieve a dusty look.
C50 M30 Y80 K20
Classic military/streetwear olive green. High yellow and cyan with enough black to mute it.
Ink levels
C10 M60 Y70 K15
Rusty, burnt orange-red. Earthy and warm.
Ink levels
C15 M20 Y35 K5
Warm beige. Great as an accent colour against dark fabrics.
Ink levels
Equal parts Cyan and Yellow make vibrant greens. Yellow should be handled carefully to avoid mustard tones.
C0 M0 Y100 K0
Maximum yellow density.
Ink levels
C100 M0 Y100 K0
Equal parts Cyan and Yellow.
Ink levels
High-impact cool tones. These rely heavily on Cyan and Yellow while keeping Magenta strictly at zero to prevent the colours from looking muddy or turning into a dull blue.
C70 M0 Y20 K0
Punchy tropical blue-green. Great for summer apparel.
Ink levels
C85 M20 Y45 K10
Rich, jewel-toned teal. The slight magenta and black add depth without destroying vibrancy.
Ink levels
Blue is challenging in CMYK. Keep mixtures balanced to avoid purple or green tints.
C100 M50 Y0 K0
Reliable print blue.
Ink levels
C100 M0 Y0 K0
Standard pure CMYK cyan.
Ink levels
C100 M75 Y0 K30
Deep, strong dark blue.
Ink levels
Regal purple tones are CMYK friendly using a 3:2 magenta to cyan ratio.
C79 M100 Y0 K0
Magenta-heavy purple.
Ink levels
Pinks rely on Magenta. Keep cyan, yellow, and black low for true pinks.
C0 M100 Y0 K0
Maximum magenta density.
Ink levels
C0 M30 Y0 K0
A lighter pastel pink variation.
Ink levels
Pastels look incredible in DTF because they utilise the bright white ink base layer. Keep your C, M, and Y values under 30% for the best soft-touch effect.
C30 M0 Y20 K0
Crisp, cool pastel green.
Ink levels
C15 M30 Y0 K0
Gentle floral purple. Zero yellow keeps it cool and clean.
Ink levels
C0 M20 Y30 K0
Warm, soft pastel. Popular on modern graphic tees.
Ink levels